Thursday, March 16, 2017

Switzerland's National Identity and Eurovision


Nation Branding VS National Identity
            When reading these two phrases it is easy to think that they mean the same thing. However, their meanings are slightly different. Historian Anna Triandafyllidou defines national identity, in her article titles “National Identity and the Other,” as “…the whole perception by each individual of the surrounding world is based on the distinction between the ingroup, namely the nation, and the foreigners, those belonging to other communities, the others,” (Triandafyllidou, 593). Essentially, Triandafyllidou is saying that the national identity of any nation is made up of the different aspects of the majority population such as culture and language, and the different aspects of the minority population. Historian Paul Jordan quotes a definition of nation branding, in his article titled “Nation Branding: A Tool for Nationalism,” as “the phenomenon by which governments engage in self-conscious activities aimed at producing a certain image of the nation state,” (Jordan, 283). Jordan is saying that. This blog post will take the five performances that were analyzed in the previous blog post and analyze the to see how closely they resembled the national identity of Switzerland.
Summary of Blog Post One
            In my first blog post, I wrote about Switzerland’s national identity. The important aspects that made up Swiss national identity were its unique history, and political structure. In addition, the different languages that are spoken in Switzerland as well as Roman Catholic being the predominant religion also contributes to Switzerland’s national identity. Many Swiss historians consider the signing of the Federal Charter in 1291 to be the date when the people of Switzerland began to come together as a nation and celebrate this date with high importance. However there have been a growing number of historians arguing that the date the charter was signed was not the date that is celebrated. Instead, those historians are arguing that the date is unknown and Swiss nationals refuse to accept this claim because this date is very important to their identity as a nation. When it comes to their political structure, it is unique because the executive branch consists of seven members who are elected from the four major parties in Switzerland. This is important to Switzerland’s national identity as it acts as an “other,” which sets Switzerland apart from other democratic nations. Switching over to the topic of national language, Switzerland has four national languages which are: French, German, Italian, and Romansh. Switzerland does not have an official state religion almost 50 percent of their population are Roman Catholics. This is important to Switzerland’s national identity because even though they do not have a national religion, a majority of the population practice Catholicism so their views towards society could be influenced by their religious beliefs.
Summary of Blog Post 2
            In my second blog post, I analyzed five performances from 2011 to 2015. When looking at all of the performances, one common theme among them all is idea of love from the Swiss people’s point of view. Switzerland’s views on diversity can also be seen through the analysis of these five performances. From 2011 on, Switzerland began to host a national final where the people in Switzerland picked the performer that would represent their country at Eurovision. This process at the begin was 100 percent left to the people to decide, however each year the people have gotten less say on who they want to represent Switzerland at Eurovision. Switzerland has added jury votes to count for 50 percent of the total votes and the 50 percent would come from the people. By doing this, Switzerland has a little more control on the people they want representing their country.
Switzerland’s national selection process and Eurovision
            The process in which the performers are selected to represent Switzerland at Eurovision mirrors the national identity. Beginning in 2011, the performer that would represent Switzerland at Eurovision was picked through a national final. Unlike national finals in other countries, Switzerland had each broadcaster select finalists that would participate in the national final. The Swiss-French broadcaster selected their finalist internally, the Swiss-Italian broadcaster had a jury select their finalists, and the Swiss German broadcaster, the main broadcaster, selected several finalists that would compete in the national final (Eurovision.tv). The selection process in 2011 relates to Switzerland’s national identity because when looking at their unique political structure, the executive branch is evenly split among the four national parties and the Swiss people vote on any changes to the law. The Eurovision selection process in 2011 is similar because all three of the Swiss broadcasting stations had a chance to select a finalist to send to the national final and at the national final, the people had a say on who they wanted representing them at Eurovision. Anna Rossinelli was selected by the Swiss-German broadcaster and easily won the national final whereas finalists selected from the other two broadcasters struggled to earn votes from the people. The national final selection process in 2012 was similar. Each of the three broadcasting stations in Switzerland selected finalists that would compete in the national final. The winner of the 2012 national final, Sinplus, was selected Swiss-Italian broadcaster. This is an alignment to Swiss national identity because the four national languages in Switzerland are: German, French, Italian, and Romansh. This selection suggests that the Swiss people do not mind having a performer who may not speak German as their primary language. Looking at the 2014 national final winner, Sebalter, was selected by the Swiss-Italian broadcaster once again. The changes in the selection which began in 2011 mirrors the unique political structure Switzerland has as each broadcaster gets a chance to send a land performer to the national final, and by creating a fair even platform for people living in different parts of Switzerland to have a chance to compete and represent Switzerland at Eurovision. The Swiss-German broadcaster is the largest broadcaster in Switzerland and since German is the primary language spoken in Switzerland, many people in Switzerland tend to side with this broadcaster. By having two different national final winners be selected by the Swiss people from the much smaller Swiss-Italian broadcaster, it suggests that the Swiss people are open to supporting performers who come from smaller parts of Switzerland.  
Switzerland and Tradition
            Takasa, the band that was chosen by the people as well as a jury, represented Switzerland in Eurovision. This was a band that consisted of six members from The Salvation Army. The Salvation Army is a Christian Protestant church as well as a charitable organization. The Salvation Army has been accused of discriminating against the LGBTQ community in the past. For example, in the early 2000’s, The Salvation Army, attempted to make a deal with the Bush administration that would exempt them, and other religious charities who receive federal funding, from laws that discriminated against homosexuals (Bruni, Becker, New York Times). Although the Salvation Army is a protestant church, the performance aligned more closely to Switzerland’s national identity as the group represented similar Christian ideas that many Swiss people could align with. This performance highlighted the religious side of Switzerland that is very much present in Switzerland. This performance suggests that the Swiss people do not mind being branded as a more religious country compared to their western counter parts. Looking at the 2015 performance, it is about being different than the rest of the population. The singer, Mélanie René is of Mauritian decent which is a small island in the Indian Ocean. The choosing of this performance misaligns with Swiss national identity as they are not too accepting of foreigners or minorities.  According to Migration Policy Institute, Switzerland has a low naturalization rate which means that immigrants are not integrated into society (Schindall, Migration Policy Institution). By choosing this performer to represent Switzerland at Eurovision, Switzerland is being branded as a country that is very accepting of minorities who are not from the EU even though this is not necessarily true.        
Conclusion
            After researching Switzerland’s national identity and then looking at five of their recent performances, you can see that most of their performances have aligned to their national identity, but as the years have gone on, their performances have started to sway away from their national identity. This means that Switzerland is slowly starting to brand themselves as a more open and accepting nation to minorities which can be seen with the 2015 performance. Although Switzerland has not done well historically at Eurovision, these five performances show that they do take Eurovision seriously as they have gotten more selective by introducing a jury vote that would count for 50 percent of the total result. By doing this, it shows that Switzerland is making an effort to change the way their country is branded to the outside world.
 Word Count: 1462



Works Cited
Bruni, Frank, and Elizabeth Becker. “Charity Is Told It Must Abide By Antidiscrimination Laws.” The New York Times, The New York Times, 10 July 2001, www.nytimes.com/2001/07/11/us/charity-is-told-it-must-abide-by-antidiscrimination-laws.html?utm_source=huffingtonpost.com&utm_medium=referral&utm_campaign=pubexchange_article. Accessed 15 Mar. 2017.
Jordan, Paul. “Nation Branding: A Tool for Nationalism?” Journal of Baltic Studies, vol. 45, no. 3, 2013, pp. 283–303., doi:10.1080/01629778.2013.860609.
“The Salvation Army - About the Salvation Army.” The Salvation Army - About the Salvation Army, The Salvation Army, www.salvationarmyusa.org/usn/about. Accessed 15 Mar. 2017.
Schindall, Julie. “Switzerland's Non-EU Immigrants: Their Integration and Swiss Attitudes.” Migrationpolicy.org, Migration Policy Institute, 9 June 2009, www.migrationpolicy.org/article/switzerlands-non-eu-immigrants-their-integration-and-swiss-attitudes. Accessed 15 Mar. 2017.
“Switzerland to Pick Their 2012 Entry in December 2011.” Eurovision.tv, Eurovision, 27 July 2011, www.eurovision.tv/page/news?id=37523&_t=switzerland_to_pick_their_2012_entry_in_december_2011. Accessed 15 Mar. 2017.
Triandafyllidou, Anna. “National Identity and the ‘Other.’”  Ethnic and Racial Studies, vol. 21, no. 4, July 1998, pp. 593–612.